


Hamlet (1990) (DVD)Mel Gibson leads an all-star cast in William Shakespeare's greatest tragedy, the story of Danish prince Hamlet. Hamlet (Academy Award winner Gibson--Braveheart, Lethal Weapon films) returns home to learn that his father, the King, has recently died and his mother, Gertrude (Glenn Close--The Stepford Wives, Fatal Attraction), has already married his uncle, Claudius (Alan Bates--Gosford Park). Suffering from shock and grief, the young prince is visited by the ghost of his father (Paul Scofield--Quiz Show), who claims that he was murdered by Claudius and who demands vengeance. Now, Hamlet must decide whether this tale told by an apparition is true--and whether he should exact the vengeance his father demands . . . realizing that his actions may destroy the woman he loves, Ophelia (Helena Bonham Carter--Corpse Bride, Howards End), his family and the kingdom he is due to inherit.]]> Review: BEST PRODUCTION OF HAMLET EVER! - I'm not a fan of Mel Gibson as a person, who is a professed homophobic racist. HOWEVER, I do not watch movies to see movie stars, but to be put in the middle of a story and have an emotional experience. And this one knocks my socks off. If you have a hard time understanding the literature of Shakespeare, you will be surprised at how well you'll be able to follow along, thanks to the gifted performances of this cast who suck you right into the storyline and keep you on the edge of your seat. Shakespeare's Hamlet was originally written as a 4-hour stage production but has been amazingly condensed here to half that time without losing anything important. The set locations are marvelous, and the cinematography is top notch Gibson plays a handsome and clever Hamlet, articulating Shakespeare's 16th century English script superbly and passionately and with great force. I felt that he was very believable in the role. Super Star Glenn Close masterfully plays "the beauteous Queen of Denmark", not like a commanding Queen Elizabeth I, but with the meekness and humility of a wife and mother who has gotten caught up in a heinous crime, but with such wide-eyed innocence that one cannot help but completely forgive her in her remorse when Hamlet confronts her about it. One might say that Justice required that she pay with her life for her crime, but even Justice weeps for her as she makes that payment. And priceless is the annoyed look that she fiercely flashes at Ian Holm's Polonius when he tartly says to her, "Stay a while, Madam; I will be faithful!" (Just watch it and you'll understand what he means). Ian Holm (Scribe Zerah in "Jesus of Nazareth", Priest Vito Cornelius in "The 5th Element", Bilbo Baggins in "The Lord of the Rings") proves himself once again to be a master talent in his performance of the intelligent busybody Polonius. Holm fully embodies the character. I think Shakespeare wrote the part for him 400 years in advance. Helena Bonham Carter (Marla in "Fight Club", the Red Queen in "Alice in Wonderland", Queen Elizabeth in the "King's Speech") is completely believable as the pitiable Ophelia; her performance was haunting and makes one grieve for all women whose innocence has been crushed by cruel men. Review: Good Movie, But... - Not everyone's cup of tea. Zeferelli takes great liberties with the play, omitting vast swaths of dialogue, several scenes, and the character of Fortinbras altogether. He also rearranges the order of several critical scenes, and makes mighty interpretive leaps such as having Hamlet overhear Polonius's instructions to Ophelia that she must not have any further contact with the prince--an understanding that of course colors our view of Hamlet's actions toward Ophelia for the rest of the play. Knowing that Hamlet KNOWS the poor girl is in a hopeless position, acting under her father's direct orders, makes his treatment of her seem wantonly cruel as the play moves forward, rather than justifiable as a manifestation of his paranoia. One failure of this interpretation is that Zeferelli doesn't do much with that knowledge--Hamlet's having overheard Polonius--once having established it. He seems to go on courting our sympathy for the character as if he'd done nothing to lessen it. On the other hand, the director does deliver a film just over two hours long--compared to Kenneth Branagh's four-hour-plus rendition--that is well-acted, properly atmospheric, successful at differentiating critical passages and performances from those which are meant merely to flesh out the plot, and relaxed enough en route that the necessarily intense scenes stand out as they should. (Branagh's version, while great in its own way, is acted by every character in every scene as if he or she were the MAIN character, and the scene itself the very climax of the play--a greater gathering of famous hams, each determined to make the most of his moment in the sun, has rarely graced the silver screen, if ever. Every one of the performances is marvelous--but taken as a whole, the play is exhausting.) My students tend to prefer Zeferelli's film over Branagh's--but add the reservation that if they hadn't already known the play, they probably wouldn't have understood this one as a stand-alone drama. Some of the aforementioned liberties with the play leave holes in the plot--the viewer familiar with the play is kind enough to fill them in, but Branagh's version doesn't require such helpfulness.
| ASIN | B00019072G |
| Actors | Alan Bates, Glenn Close, Ian Holm, Mel Gibson, Paul Scofield |
| Aspect Ratio | 1.85:1 |
| Best Sellers Rank | #23,910 in Movies & TV ( See Top 100 in Movies & TV ) #1,949 in Kids & Family DVDs #3,666 in Drama DVDs |
| Customer Reviews | 4.6 4.6 out of 5 stars (1,062) |
| Director | Franco Zeffirelli |
| Is Discontinued By Manufacturer | No |
| Language | English (Dolby Digital 2.0 Surround), Unqualified |
| MPAA rating | PG (Parental Guidance Suggested) |
| Media Format | Anamorphic, Closed-captioned, Color, Multiple Formats, NTSC, Subtitled, Widescreen |
| Number of discs | 1 |
| Producers | Dyson Lovell |
| Product Dimensions | 7.5 x 5.5 x 0.5 inches; 2.4 ounces |
| Release date | February 8, 2005 |
| Run time | 2 hours and 14 minutes |
| Studio | WarnerBrothers |
| Subtitles: | English, French, Spanish |
| Writers | Christopher De Vore, Franco Zeffirelli |
T**T
BEST PRODUCTION OF HAMLET EVER!
I'm not a fan of Mel Gibson as a person, who is a professed homophobic racist. HOWEVER, I do not watch movies to see movie stars, but to be put in the middle of a story and have an emotional experience. And this one knocks my socks off. If you have a hard time understanding the literature of Shakespeare, you will be surprised at how well you'll be able to follow along, thanks to the gifted performances of this cast who suck you right into the storyline and keep you on the edge of your seat. Shakespeare's Hamlet was originally written as a 4-hour stage production but has been amazingly condensed here to half that time without losing anything important. The set locations are marvelous, and the cinematography is top notch Gibson plays a handsome and clever Hamlet, articulating Shakespeare's 16th century English script superbly and passionately and with great force. I felt that he was very believable in the role. Super Star Glenn Close masterfully plays "the beauteous Queen of Denmark", not like a commanding Queen Elizabeth I, but with the meekness and humility of a wife and mother who has gotten caught up in a heinous crime, but with such wide-eyed innocence that one cannot help but completely forgive her in her remorse when Hamlet confronts her about it. One might say that Justice required that she pay with her life for her crime, but even Justice weeps for her as she makes that payment. And priceless is the annoyed look that she fiercely flashes at Ian Holm's Polonius when he tartly says to her, "Stay a while, Madam; I will be faithful!" (Just watch it and you'll understand what he means). Ian Holm (Scribe Zerah in "Jesus of Nazareth", Priest Vito Cornelius in "The 5th Element", Bilbo Baggins in "The Lord of the Rings") proves himself once again to be a master talent in his performance of the intelligent busybody Polonius. Holm fully embodies the character. I think Shakespeare wrote the part for him 400 years in advance. Helena Bonham Carter (Marla in "Fight Club", the Red Queen in "Alice in Wonderland", Queen Elizabeth in the "King's Speech") is completely believable as the pitiable Ophelia; her performance was haunting and makes one grieve for all women whose innocence has been crushed by cruel men.
B**B
Good Movie, But...
Not everyone's cup of tea. Zeferelli takes great liberties with the play, omitting vast swaths of dialogue, several scenes, and the character of Fortinbras altogether. He also rearranges the order of several critical scenes, and makes mighty interpretive leaps such as having Hamlet overhear Polonius's instructions to Ophelia that she must not have any further contact with the prince--an understanding that of course colors our view of Hamlet's actions toward Ophelia for the rest of the play. Knowing that Hamlet KNOWS the poor girl is in a hopeless position, acting under her father's direct orders, makes his treatment of her seem wantonly cruel as the play moves forward, rather than justifiable as a manifestation of his paranoia. One failure of this interpretation is that Zeferelli doesn't do much with that knowledge--Hamlet's having overheard Polonius--once having established it. He seems to go on courting our sympathy for the character as if he'd done nothing to lessen it. On the other hand, the director does deliver a film just over two hours long--compared to Kenneth Branagh's four-hour-plus rendition--that is well-acted, properly atmospheric, successful at differentiating critical passages and performances from those which are meant merely to flesh out the plot, and relaxed enough en route that the necessarily intense scenes stand out as they should. (Branagh's version, while great in its own way, is acted by every character in every scene as if he or she were the MAIN character, and the scene itself the very climax of the play--a greater gathering of famous hams, each determined to make the most of his moment in the sun, has rarely graced the silver screen, if ever. Every one of the performances is marvelous--but taken as a whole, the play is exhausting.) My students tend to prefer Zeferelli's film over Branagh's--but add the reservation that if they hadn't already known the play, they probably wouldn't have understood this one as a stand-alone drama. Some of the aforementioned liberties with the play leave holes in the plot--the viewer familiar with the play is kind enough to fill them in, but Branagh's version doesn't require such helpfulness.
S**N
Awesome, even though I am no longer impressed with Mel Gibson as a person.
When I first saw this film I was transfixed. It was my first amazing experience with Shakespeare on film. With the revelations that Mel Gibson is a manic jerk in real life, I am not a fan of him in general, but I once was. Even with my revised negative opinion, this is an incredible film. I still appreciate the talent that Mel Gibson brings to his movies. This is by far his best performance. Watching the extras (which I rarely do) it is obvious that he worked with manic dedication to make Hamlet a person deeper than the words. I am going to be a heretic now: I find his performance far superior to that of Sir Laurence Olivet and Kenneth Branagh. Franco Zeffirelli is a master director. All of the performances are masterful. The costumes and sets are amazing. This adaptation of Hamlet is tight and short. It focuses on the psychology and personality of Hamlet and his family and personal relationships at the expense of the politics and over a third of the play. I am frustrated with much of Kenneth Branagh's complete version of Hamlet, but if you want to see the full the play it is essential. If you want to see the most realistic, personal and compelling version this is the one to watch. Ian Holm and Glenn Close, Helena Bonham Carter are amazing. I am not aware of one performance that is not excellent. I have watched this film about six times. It gets better each time.
P**R
This is a truly cinematic transposition of the famous Shakespearean play, not just filmed theatre. The outdoor scenes are shot in actual medieval castles and indoor ones in realistic four-sided rooms. Actors are generally not static but moving, and the camera follows them at length, at varying angles. The text itself is edited down to some two hours, and certain lines from omitted scenes are actually transferred to others. In certain cases, such as the sea voyage headed for England, the action is just seen, and no dialogue is uttered. Hamlet, the character, is filled with doubt. So apparently was Mel Gibson with his own performance throughout the shooting. He even asserts in the DVD’s bonus feature that he would like to be in a position to shoot the movie all over again. Was this situation planned by the director, Franco Zeffirelli, so that the movie’s main character appear to be always on a razor’s edge? In any case, this original production is an excellent introduction to “Hamlet” and is warmly recommended to all unfamiliar with Shakespeare’s world.
G**.
Tournée en 1990 par Franco Zeffirelli notamment dans les superbes décors naturels d'Ecosse cette adaptation cinématographique du célèbre drame de Shakespeare est une parfaite réussite. Les images sont superbes, les décors et les costumes savamment choisis et jamais écrasants. Quant à la distribution elle est de tout premier ordre: Mel Gibson se révèle un Hamlet idéal, tourmenté et toujours prêt à sombrer dans la folie. On peut dire qu'il dépoussière et humanise son rôle tout comme la toute jeune Helena Bonham Carter qui arrive à donner toute sa force au personnage d'Ophélie sans jamais le ridiculiser. Une fois de plus Glenn Close attire les regards par sa composition d'une reine Gertrude tout à la fois condamnable et fragile. Alan Bates (le roi Claudius), Ian Holm (Polonius) et Paul Scofield (le fantôme du père d'Hamlet assassiné par son frère Claudius et son épouse Gertrude), acteurs anglais rompus au théâtre shakespearien ne sont pas non plus en reste. En résumé Franco Zeffirelli nous offre une version cinématographique de l'œuvre qui ne peut à aucun moment être considérée comme du théâtre filmé. Il nous passionne de bout en bout pour cette histoire de haine, d'amour, d'inceste et de sang. Admirable!
A**9
Spedizione veloce come sempre. Purtroppo mancano i sottotitoli in inglese, che utilizzo per migliorare la conprensione. Credevo fossero presenti in ogni dvd ormai... (se interessa, non sono presenti i sottotitoli in nessuna lingua)
S**T
„Hamlet“, eine der berühmtesten Tragödien von William Shakespeare, erzählt die Geschichte des dänischen Prinzen Hamlet, der den Mord an seinem Vater rächen will. 👑💀 Doch sein Zögern, seine Zweifel und politische Intrigen treiben ihn in den Wahnsinn – mit tragischen Konsequenzen. 😱⚔️ 🔹 Warum „Hamlet“ auf DVD ein Muss ist: ✅ Zeitlose Story über Rache, Verrat und Wahnsinn – ein Klassiker der Weltliteratur. 📖🔥 ✅ Großartige Schauspielkunst – je nach Version mit Stars wie Kenneth Branagh, Mel Gibson oder Laurence Olivier. 🎭✨ ✅ Opulente Inszenierung & starke Dialoge – Shakespeares Sprache in voller Pracht! 🏰🎬 Fazit: 💡 „Hamlet“ ist eine tiefgehende, fesselnde Tragödie, die auch heute noch bewegt. Wer Theater, historische Dramen oder große Emotionen liebt, sollte diese Verfilmung unbedingt sehen! 🖤👑 👉 Tipp: Entdecke außergewöhnliche Bildkalender, Puzzles & Leinwände – die perfekte Geschenkidee für jeden Anlass! 🎨🖼️ Erhältlich auf Amazon – einfach nach "Marco Warstat" suchen! ✨🧩
病**U
昔見て「メル・ギブソンのハムレットがいいんだよね!」と言っていたけど、今見たらどうなんだろうともう一度見てみました。やっぱりこのハムレットがいいですね〜。
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