A New Tide

Wow...thank you Gomez. As much as I enjoyed INDIVIDUAL SONGS on How We Operate(in particular, the title track and Hamoa Beach)I was a little concerned that the guys had maybe started going down the watered down, try-to-please-the-radio-format syndrome(aka Dave Mathews Disease)that a lot of other groups have gotten ill from in the past. Thankfully, I can proudly say, NO. I am so proud of these guys and this record. This is their best album since Bring It On and their is not a single clunker on this album. Wonderfully produced, catchy hooks, wonderful vocals...this is the album Bring It On fans have been waiting for. NOW, I am biased since Liquid Skin is personally the only album that Gomez has ever made that really didn't register with me and even that album stands up against most band's best efforts in my estimation.Nevertheless, this album helps 2009 start with a bang for me personally and I can't imagine a Gomez fan not liking this album. Now, maybe if you are some slave to emo and droning radio formats, then maybe you should go buy the flavor of the week band and let real music be enjoyed by real music fans.A+ album

Most Gomez albums take a few listenings before they really grab me, at least the majority of songs. For example, the second I heard the title song from How We Operate, it was an instant favorite, but the rest of the album had to grow on me. I had to overcome the sense that this was just too poppish. Coming after How We Operate, this carries on in a somewhat similar vein, but does have a bit more of the old style Gomez song complexity to it. The first song to really excite me was Airstream Driver, and now several others are making their way. I got the deluxe CD, which includes a great concert performance from last year in Chicago, mainly the "classics."It was odd to look out at a filled, smoke free auditorium. (Gomez will be at the Fillmore in 2 weeks, and I can guarantee that the air will be very hazy there.) I was thrilled that Gomez was still touring and releasing new work. With Ian's CD last year, and his seeming to live in LA, I was concerned that Gomez was splitting up.

I listen to it every time I go on a road trip love it!

Gomez has more collective talent and musicianship than any of their more successful peers from the 90s Brit band invasion. All things considered, the A-list of highly regarded Brit bands of that era such as Oasis, Radiohead, the Verve and Portishead have yet to produce a body of work that is as compelling and consistently high in quality as Gomez. Four years after being dropped by Virgin Records for lack of sales and thirteen years after forming as a band, Gomez remains under nearly everyone's radar, except for a growing cult of fans who've attended their high energy live shows. "A New Tide" is the musical equal of any of Gomez's earlier releases. They've polished their world weary and culturally literate hook laden songs driven by their muscular three guitar sound with a sheen of professionalism...but not to a fault. Gomez is equally at home playing in an unplugged accoustic setting as they are wired to a wall of amplifiers. There are multiple songwriters and three vocalists each talented enough to front their own band. It's tempting for fans to single out Tom Grey's evocative voice as Gomez's vocalist and front man, but Gomez would rather be an anonymous band without a front man, than relinquish the shared duties of singing and songwritting. "A New Tide" finds Gomez sticking to it's guns and refusing to abandon it's trademark rootsy soulful approach to pander to the latest gimmicks and trends of mainstream pop. And it's refreshing to see a band with enough self awareness to avoid reinventing themselves into something they are not, for the sake of financial success. The reason why Gomez has produced six albums with only almost no throwaway filler is they've been brutally honest in their self assessment of their own collective strengths and limitations as a band. Three years ago AMG wrote "(Gomez).. has so gradually come into its own via a stubborn insistence on sticking to its own principles, has grown immeasurably and become a unit of utter confidence and consistent vision that insists on excellence and will settle for nothing." This is the sound of a band sitting around facing one another and concentrating on writing and executing songs that stand the test of time, using multiple songwriters of equal gift and merit. If Gomez fails to acheive widspread commerical success in it's own time, at some point perhaps 5,15 or 25 years in the future, the amazing musical legacy of Gomez will come to light. And if I'm not around to say "I told you so," when Gomez finally achieves noteriety, I'm sure a few million posuers will be crawling out of the woodwork to tell anyone within earshot, they've been on to the talents of Gomez since 1998's "Bring It On." BEST SONGS: If You Ask Nicely, Little Pieces, Airstream Driver

this is not my favorite release by Gomez, but I enjoy it very much. thanks to them for quality music, rather than the pop trash that fills the airwaves!

I have been a major Gomez fan since hearing Bring It On. They are a British band that makes Mercury Prize winning music with innovation and intelligence. They can make you even more cool just by putting on a Gomez cd when friends are over. Their style is hip earthy eclectic group chemistry. They all write songs and three sing vocals. Any of them can carry a song on their own but the sound of their voice combos are even more fun. My personal favorite is Ben Ottewel, heard on their last cd's song How We Operate. When I heard Airstream Driver the first time on the radio my antenna went up. I knew it was good music but didn't realize it was Gomez. When the dj said who the band was and a new cd was being released in a few weeks I started counting down the time. On High Tide they continue their inclusion of a broad assortment of styles, percussion and instruments. Among those used here are cello, congas, viola, bass harmonica, nut salad and gong and what is referred to as the Stomach of Ben (which was fun to try to single out). From the first song Mix to Airstream Driver through to Sunset Gates there were no misses. I had a rough week at work but keeping High Tide on constant replay lifted me through it. What a treat to find out they included a free dvd. "Here Comes the Breeze: Gomez in Chicago." Seriously, how cool is that? I haven't been able to see them in concert, much disappointment, so this was very much appreciated. If you're already a Gomez fan...this is a worthy addition to the Gomez library. If you've heard Airstream Driver recently and liked it, I am certain you will be glad you bought this cd.

Don't worry. It's Gomez. At this stage of the game, you kinda know that they're good. And if you like what they've done before, you're probably going to like this, too. If reviews and fan comments are to be believed, people seem to be split into pre-and-post In Our Gun categories. While I can understand this notion, I became a fan during the In Our Gun era, and consequently, have loved everything before and since. The older stuff is revelatory if you've never heard it before, and the new stuff takes a self-assured step in another, less defined direction; a step I would not discount in the least. Some of the greatest glories with this band have come from experimentation and throwing everything against the pop music wall and seeing what sticks. To me, it all sticks, and even the misses are worth the price of admission. This album strikes me as more of a fusion of sounds from the early years and the best of the sonic efforts from the last album, How We Operate. But in the end, what they've come up with is another sure step into what can only be described as Gomez. And, for my ear, that works perfectly.

I do really like this album. I rank it in the upper middle out of all the Gomez albums, and I listen to it frequently. If you are at all a Gomez fan, you should have no trouble appreciating A New Tide. But for this release, save some money and go with CD or download. Skip vinyl. I'm a big fan of vinyl and that is almost always my preference. I was very excited to spin Airstream Driver and listen to the awesome jam session come alive on my turntable. I was very disappointed. On this album it sounds like they just did a flattened transfer of the CD master to the vinyl release. Dynamic range is low, it's just a lifeless recording. Completely defeats the purpose of going through the ritual of listening to an album on a turntable.