LEKATO Wireless Guitar System 2.4GHz Rechargeable Audio Wireless Transmitter Receiver 6 Channels for Guitar Bass Electric Instruments, Stereo and Mono 1/4” & 1/8” 2 in 1 Plugs,Black(WS-60)

I have an ESP LTD guitar that has a piezo pickup. One of the jacks is a TRS jack for outputting the mag pickup and piezo pickups on different channels via TRS cable. Works great. But also meant I was tethered to my pedal board. After searching far and wide and getting duped by other makes/models, I finally found the Lekato stereo wireless audio bridge. Problem solved. Sound quality is good. In fact, it's better than the other 3 sets of other makes/models I have. Battery life is good so far. I haven't tested out range yet, but most of the stages I play on I won't be venturing out more than 20 ft or so. In the practice room there are 3 other 2.4 ghz wireless units running plus the house wifi. No issues so far on interference. Build quality is good. Durability is always the big question that a lot of times only time can answer but these seem built well enough I could drop them on stage or even in the parking lot and they'd survive. I really don't want to test that. They are a lot bigger than my Lekato UHF set, but not so big it's an issue like some of those Boss units. Overall, these solve a huge problem for me and sound great and are at a great price. I would have paid twice the price. In fact, I did on another brand I though were stereo but were not, weren't as well built, and sounded like @ss. So kudos to Lekato for a great product and at a great price.

Works great. Literally the only stereo low latency transmitter receiver of this type that I was able to find on Amazon. I tested this with a Teenage Engineering KO II and it works fantastically - picks up just fine, latency is low, range is surprisingly long. I was able to use this between walls over 100 feet away. Latency was low enough to play a drumkit without losing time. I'm ordering a second set since it says it supports multiple transmitters to one receiver. This includes mono adapters as well as stereo-- make sure you use the right one for your application. Guitars NEED to use the mono one. Synths if using a headphone jack for the transmitter, go bare 1/8" jack. If the synth is outputting line out 1/4, put on the mono 1/4. On the receiver side - if it's going into a typical mixer you probably want to output mono 1/4. If it's going into a DI box, you probably want mono 1/4 unless you have a stereo DI. I appreciate the PHYSICAL TOGGLE SWITCH for on off so it probably doesn't randomly lose charge.

No audio from active/passive pickups with the "stereo" 1/4 adapter that installed by default. I almost thought it was defective but i could hear the ground noise when i touched the ends of the transmitter. I then checked the box and found 2 mono 1/4" adapters. These transferred the sound of all my active pickup acoustics including lr baggs anthem, custom 3 way active pickups and more. Sound is pretty good so far but i did get crackling and noise after 5 minutes of use. However, I have not charged the units yet so that could be battery low/weak signal issue. I will update this review after a full charge and a real gig test (3 hour show) but i did notice A LOT of return reviews stating its not working as intended. I'm not sure of "true stereo" issue.. but it was not my intent. However, if it does work, i will use this for my stereo keyboard headphone jack stereo out on occasion. For standard instrument jacks (mono). Try the mono adapters before returning like so many have. Update forthcoming but i simply wanted to get this info out there. UPDATE! I have gigged a few times with these now and I gotta say these are very handy. They can pick up some 2.4 interference on occasion but some slight movement adjustments seem to calm the 2.4 hum abit if close to a router. Anyhow. THESE ARE TRUE STEREO.. or mono.. depending on the which adapter you choose for it. I have two of these.. One of these is used for my MODX in stereo out of the 1/4" headphone jack out. connecting to 1/8" stereo aux input on the back of my sound rig. I do get separated l/r data and run a stereo speaker setup. Works well. The other one im using the mono adapters plugged into my taylor with Anthem system. It also works quite well. They can also be used to daisy chain speakers xlr out (with a $5 xlr-to female 1/4") or 1/4" mix out/monitor out) pretty well since it transmits line level audio well. (I mention this because several "xlr" wireless transmitters are built around mic input levels so they end up completely overgaining line level to distortion. If you are looking for an xlr transmitter to link speakers or line level outs on a mixer.. make sure you get one that has a selectable Line/Mic impedance switch on it. Hope that helps. Overall quite happy having my keyboard in full stereo .. and my acoustic completely wireless into a 2 everse 8 stereo config (also wireless/ battery powered) In this way. I have ZERO wires for gig.. not even a speaker power cable :)..

Used these for a live gig, as well as well as at home studio for practice. These are *fantastic*. The battery life on the transmitter is at least four hours, the receiver runs even longer. With this (and a wireless microphone) I can move around on stage with a keyboard without worrying about tangling up in cables. Importantly, it plugs into the 3.5mm *stereo* output, and transmits in stereo. It also comes with *all* adapters: 3.5mm stereo to 1/4" stereo, as well as 3.5mm stereo to 1/4" mono, so you can plug it straight into the mixing board, whatever inputs it has, or the AUX input of your PA system. The adapters are *screwed on*, so they won't fall off (and you won't leave them in the board), and there's zero wonkiness about anything (and zero bulk). The entire thing is as plug-and-play as it gets, the pairing is super fast, and it charges reasonably fast as well. I don't get any noise from the transmission worth noticing. It essentially replaces a cable for me. The latency is near-zero - small enough for me to play keys and electronic drums live without feeling it or noticing it. And, might be a silly thing to say, but it's *red*. Nice. Goes well with my AKAI MPK Mini Play 3 & the Korg Kross. I don't think there's any competition for this unit in the "3.5mm stereo wireless transmitter" category, especially at this price level. Other devices I've seen either come with a 1/4" plug by default (bulky with an adapter, especially when plugged into a keyboard like the AKAI Mini Play), or don't transmit stereo.

This worked perfectly for the setup I needed. My wife and I each have an Insta360 X5 camera mounted on our bikes, and we both wear DJI wireless microphones to capture our voices while riding, which helps avoid wind noise. The problem we ran into is that the DJI system only allows two transmitters to connect to a single receiver. To work around this, we were using two complete sets of DJI microphones. Each Insta360 had its own receiver, and each of us wore one transmitter. This allowed both cameras to record clear audio, but it made editing extremely difficult. When it came time to splice clips together for a video, syncing two separate microphone tracks was frustrating and time-consuming. I needed a way to send one clean audio signal to both cameras at the same time without doubling up on equipment. Here is how I set it up. I connected a 3.5 millimeter splitter to the output of the DJI receiver. One side of the splitter went into my Insta360 camera to record the audio as usual. The other side went into the wireless stereo transmitter. On my wife's Insta360, I plugged the corresponding stereo receiver into the 3.5 millimeter microphone input. This allowed both cameras to record the exact same audio feed in real time. These units support true stereo. My voice from the DJI transmitter was recorded on the right channel, and my wife's voice was on the left. This is exactly the same result as if I had plugged the DJI receiver directly into the camera. Pairing the transmitter and receiver happened automatically with no configuration required. The kit also came with quarter inch audio jacks for those using this with guitars or other instruments, which was a nice inclusion. The single USB to dual USB-C cable made charging both units from one power source easy and convenient. The devices are small, lightweight, and do not look bulky or awkward when attached to the Insta360 cameras. There was no interference with the DJI wireless microphones, and I did not experience any buzzing or signal noise. Since these operate on the 2.4 gigahertz band, I suppose interference could happen in areas with heavy Wi-Fi activity, but during normal road use we had no issues. This setup allowed both cameras to record the same high-quality audio feed from one DJI receiver. It solved a major editing headache and kept our video production process clean and efficient.

Easy to use, came pre-charged, just switch it on and play. Worked just fine in my practice room. I bought this one AND the Getaria 5.8 GHz unit, thinking I would bring both to a gig and be able to swap quickly in case of failure. BOTH of these products suffer the same issues, so I'm pretty much pasting the same comments here as I did on that other unit. When in the same room as the amp, it works fine. I bought this to be a simple solution for my bass rig; I don't want to use my G50 for bass (I have to pull it off my guitar pedal board). I absolutely love the idea of these tiny things: no belt packs, no batteries, SO easy. What's the problem? well... sound quality on my bass is BETTER than the Getaria, but STILL, in a band environment, perfect tone is not the deal breaker. The problem is dropouts, loss of signal, and the fact that unless the transmitter/reciever are line-of-sight with one another, it is NOT reliable. As soon as a person, or a speaker, or ANYTHING comes between them it drops, flubs, sounds bad, makes odd noise. Even at home, I can't leave my practice room and get reliable signal. So yeah... you get what you pay for. I'm still gonna try it again, at a few more gigs, see if there is a trick to make it work better. But I'm not leaving home without the G50 as a standby backup... and the MINUTE I get dropouts? game over.

I bought this when I found out my grandson hadn't been playing his guitar for months, b.c. he needed an amp cord. So, as the head cook, chief dishwasher and equipment manager for 53 years, I recognized the possible benefits of this, if it worked, so, I got him a cord and this. What an awesome innovation. No more, being tied down and tethered to an amplifier. No more, tripping over cords. No more, being unable to play when you want b.c. of no access to a power outlet, or a ruined cord. Works great and its RED... 21 y.o. Grandson loved it.. When he showed his Dad what he could do by serenading him on his balcony, from the courtyard, his Father came over to rave about it to me, so, I bought another one for his Christmas present, and if DH still played, I'd get him one, too. No electric guitar owner should be without one. IMNSHO (in my not so humble opinion)

Works great , fast shipping Excellent product