--- product_id: 5821314 title: "Arrow: Season 2" price: "MX$707" currency: MXN in_stock: true reviews_count: 13 url: https://www.desertcart.mx/products/5821314-arrow-season-2 store_origin: MX region: Mexico --- # Arrow: Season 2 **Price:** MX$707 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Arrow: Season 2 - **How much does it cost?** MX$707 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.mx](https://www.desertcart.mx/products/5821314-arrow-season-2) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description Arrow: The Complete Second Season (DVD) Billionaire archery enthusiast Oliver Queen returns for another season of hard-hitting action in Starling City. Sworn to fight crime and corruption in his city, Arrow (aka The Hood) — with the help of the tech-savvy Felicity Smoak and his iron-fisted right hand, John Diggle — narrowly averts the rich and powerful’s “Undertaking” to cleanse the city of its most desperate citizens. But Oliver finds his crusade complicated by his emotional connections to friends and family, as the Queen family still trades on secrets that conflict with the Arrow’s agenda. Oliver’s return also affects the love of his life, Laurel Lance, and he must somehow find a balance between being there for her as Oliver Queen, while being there for Starling City as the Arrow. The Dark Archer rocked Oliver Queen’s world in the first season finale of ARROW. But who’s going to pick up the pieces? In Season Two, see how Oliver Queen goes from Hood to Hero! Arrow became a better show in many ways this season, but above all, it managed to give Ollie an overarching conflict that deftly carried all episodes and made him his own hero. --Jesse Schedeen, Ign Arrow isn't just one of the best dramas on broadcast network television. Arrow is one of the best shows on TV, period. --The Huffington Post The sophomore-season premiere shows no signs of slumping. --Jeff Jensen , Entertainment Weekly Review: Satisfied - Exactly as described and packaged well Review: Powerful Live-Action Comic Formula and Even Social Study Springboard - WB COMICS FORMULA BASED ON BATMAN MODEL Oliver Queen/Arrow is a good, well-meaning guy. His mother says: "You see only the good in people, even when they don't deserve it." Played terrifically by stubble-faced Stephen Amell, he maximizes audience compassion, sympathy and admiration. WB was wise to avoid a neurotic primo uomo for this role, and Amell is solid and indispensable for making the show work. Oliver Queen has been through years of isolated island hell, and he continues in Starling City's brand of it. Because he's not nearly as intelligent and worldly as Bruce Wayne, arch villains most always far outdistance his imagination and thinking, and he mainly reacts instead of leads. So bad guys and gals outthink him plenty. But he keeps trying and plodding, and gradually learns and grows. After all, he's a young guy who was completely out of touch for 5 years. John Diggle: A seasoned, wise, tough YOUNG Alfred Pennyworth-type whom Arrow leans on and who's in plenty of action with his boss. Felicity Smoak: Arrow's un-disabled Oracle-type IT expert, and with lots of dry and all too scarce show humor, even though she's never been a martial sort. Lots of the actor's catchy dialogue is regrettably obscured by mumbling and mushy diction. Sara Lance: A deadly Huntress-sort as "Canary." Sometime lover of Oliver, and daughter of policeman Lance. Laurel Lance: Silver St. Cloud-type, sometime lover of Oliver, and daughter of policeman Lance. Quentin Lance: Police detective, akin to Jim Gordon, with two grown daughters and who's learned the hard way (like Gordon) to trust and help Arrow. They meet on rooftops, too. Maybe someday he'll be police commissioner. "Arrow" Comic Formula: Fantasy story and writing techniques crafted to keep the characters constantly in severe distress and hypertension, and so keep viewers tense, stressed, cliff-hanging, and morbidly curious and fascinated about what will happen next. More specifically on what will happen next with the mostly screwed-up good guys and extremely embittered and hateful bad guys. So drama kings and drama "Queens" abound! Warner's has honed this formula through decades of Batman, at least, and executes it in "Arrow" with skillful and brutal power. "Arrow" Season 2 demonstrates a lot of avoidable torment, no matter what the intentions, that honesty really is the best policy (except for trying to conceal Arrow's secret identity, which nonetheless gets repeatedly compromised) and that ends really don't justify means. SOCIOLOGICAL THOUGHT EXPERIMENT - Got a Problem? Get Panicked and Violent. The frenetic, relentless angst all the characters suffer in "Arrow" is something WB pulls off powerfully with its longtime experience with comic fantasies. If real-life people were embroiled in these situations, they'd hardly live to 40 due to premature strokes, heart attacks, hypertension, anorexia, hyper-insomnia, addictions, nervous breakdowns, and suicides -- if the bad guys didn't snuff 'em out first. And this is where "Arrow" can qualify as a sort of sociological thought experiment. Even if unanticipated and unappreciated by WB, "Arrow" does depict individual and societal "what-ifs," if lives were to go mostly in those shattering ways. "Arrow," and other such high-anxiety comic fantasies, powerfully portray visions of humanity frantically struggling to cope with even the next minute or two. If such visions gain more and more appeal and traction, maybe they might even have more social impact on actually materializing. So shows like this are ripe for studying as types of sociological thought experiments. The show belongs to a category of portrayals that might be correlated with actual social developments -- if real developments ever do increasingly come to emulate desperate and frantic and frenetic comic fantasies. So besides thrilling entertainment, "Arrow" may thus be one more exciting media "advertising" example for sociological study, and what social-science investigations might find based on turbulent and violent comic shows as potential role models and social influences. Besides commercials, the content sure does advertise a lot for certain lifestyles and societal situations. While traumatic, you sure can't deny they're exciting, and so perhaps appealing and even ultimately influential on real life. ## Technical Specifications | Specification | Value | |---------------|-------| | Contributor | Andrew Kreisberg, Colton Haynes, David Ramsey, Emily Bett Rickards, Greg Berlanti, Katie Cassidy, Manu Bennett, Marc Guggenheim, Paul Blackthorne, Stephen Amell, Susanna Thompson, Willa Holland Contributor Andrew Kreisberg, Colton Haynes, David Ramsey, Emily Bett Rickards, Greg Berlanti, Katie Cassidy, Manu Bennett, Marc Guggenheim, Paul Blackthorne, Stephen Amell, Susanna Thompson, Willa Holland See more | | Customer Reviews | 4.7 out of 5 stars 1,257 Reviews | | Format | Box set, Color, Dolby, Multiple Formats, NTSC | | Genre | Action & Adventure | | Language | English | | Number Of Discs | 5 | ## Product Details - **Format:** Box set, Color, Dolby, Multiple Formats, NTSC - **Genre:** Action & Adventure - **Language:** English - **Number Of Discs:** 5 ## Images ![Arrow: Season 2 - Image 1](https://m.media-amazon.com/images/I/91hQMhbZE8L.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Satisfied *by R***S on January 10, 2026* Exactly as described and packaged well ### ⭐⭐⭐⭐⭐ Powerful Live-Action Comic Formula and Even Social Study Springboard *by L***E on November 23, 2014* WB COMICS FORMULA BASED ON BATMAN MODEL Oliver Queen/Arrow is a good, well-meaning guy. His mother says: "You see only the good in people, even when they don't deserve it." Played terrifically by stubble-faced Stephen Amell, he maximizes audience compassion, sympathy and admiration. WB was wise to avoid a neurotic primo uomo for this role, and Amell is solid and indispensable for making the show work. Oliver Queen has been through years of isolated island hell, and he continues in Starling City's brand of it. Because he's not nearly as intelligent and worldly as Bruce Wayne, arch villains most always far outdistance his imagination and thinking, and he mainly reacts instead of leads. So bad guys and gals outthink him plenty. But he keeps trying and plodding, and gradually learns and grows. After all, he's a young guy who was completely out of touch for 5 years. John Diggle: A seasoned, wise, tough YOUNG Alfred Pennyworth-type whom Arrow leans on and who's in plenty of action with his boss. Felicity Smoak: Arrow's un-disabled Oracle-type IT expert, and with lots of dry and all too scarce show humor, even though she's never been a martial sort. Lots of the actor's catchy dialogue is regrettably obscured by mumbling and mushy diction. Sara Lance: A deadly Huntress-sort as "Canary." Sometime lover of Oliver, and daughter of policeman Lance. Laurel Lance: Silver St. Cloud-type, sometime lover of Oliver, and daughter of policeman Lance. Quentin Lance: Police detective, akin to Jim Gordon, with two grown daughters and who's learned the hard way (like Gordon) to trust and help Arrow. They meet on rooftops, too. Maybe someday he'll be police commissioner. "Arrow" Comic Formula: Fantasy story and writing techniques crafted to keep the characters constantly in severe distress and hypertension, and so keep viewers tense, stressed, cliff-hanging, and morbidly curious and fascinated about what will happen next. More specifically on what will happen next with the mostly screwed-up good guys and extremely embittered and hateful bad guys. So drama kings and drama "Queens" abound! Warner's has honed this formula through decades of Batman, at least, and executes it in "Arrow" with skillful and brutal power. "Arrow" Season 2 demonstrates a lot of avoidable torment, no matter what the intentions, that honesty really is the best policy (except for trying to conceal Arrow's secret identity, which nonetheless gets repeatedly compromised) and that ends really don't justify means. SOCIOLOGICAL THOUGHT EXPERIMENT - Got a Problem? Get Panicked and Violent. The frenetic, relentless angst all the characters suffer in "Arrow" is something WB pulls off powerfully with its longtime experience with comic fantasies. If real-life people were embroiled in these situations, they'd hardly live to 40 due to premature strokes, heart attacks, hypertension, anorexia, hyper-insomnia, addictions, nervous breakdowns, and suicides -- if the bad guys didn't snuff 'em out first. And this is where "Arrow" can qualify as a sort of sociological thought experiment. Even if unanticipated and unappreciated by WB, "Arrow" does depict individual and societal "what-ifs," if lives were to go mostly in those shattering ways. "Arrow," and other such high-anxiety comic fantasies, powerfully portray visions of humanity frantically struggling to cope with even the next minute or two. If such visions gain more and more appeal and traction, maybe they might even have more social impact on actually materializing. So shows like this are ripe for studying as types of sociological thought experiments. The show belongs to a category of portrayals that might be correlated with actual social developments -- if real developments ever do increasingly come to emulate desperate and frantic and frenetic comic fantasies. So besides thrilling entertainment, "Arrow" may thus be one more exciting media "advertising" example for sociological study, and what social-science investigations might find based on turbulent and violent comic shows as potential role models and social influences. Besides commercials, the content sure does advertise a lot for certain lifestyles and societal situations. While traumatic, you sure can't deny they're exciting, and so perhaps appealing and even ultimately influential on real life. ### ⭐⭐⭐⭐⭐ BEST SHOW EVER! *by S***L on March 29, 2017* I put off watching this show for years. Finally gave in a month ago. This is seriously the best show I have watched since LOST. Stephen Amell is superb. The talent of the cast is beyond anything I have seen in a TV series. I am not a huge DC fan so I had zero knowledge of The Green Arrow before this. I have been a Marvel fan and this blows all the Marvel movies out of the water based on character development. If you let go of preconceived notions or prior knowledge of the comic you will LOVE this show. I wish I would have started the series in 2012 when it first debuted. I am now caught up to season 5. Have watched seasons 1-4 2x and am going back and watching my favorites, AGAIN. I do not watch much TV but this has me hooked. Seasons 1-3 are amazing. 4 is just ok but neccesary for character development in my opinion. Just stick with it because season 5 is kicking bootie again and taking names!!! I bought all 4 seasons because if netflix ever stops streaming it I cannot even imagine being with out the ability to watch. Best Show Ever!!! Mark Guggenheim is a genius. ## Frequently Bought Together - Arrow: Season 2 - Arrow: Season 1 - Arrow: Season 3 --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.mx/products/5821314-arrow-season-2](https://www.desertcart.mx/products/5821314-arrow-season-2) --- *Product available on Desertcart Mexico* *Store origin: MX* *Last updated: 2026-05-25*