---
product_id: 582607104
title: "Hello Beautiful"
price: "$497"
currency: MXN
in_stock: true
reviews_count: 11
url: https://www.desertcart.mx/products/582607104-hello-beautiful
store_origin: MX
region: Mexico
---

# Hello Beautiful

**Price:** $497
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- **What is this?** Hello Beautiful
- **How much does it cost?** $497 with free shipping
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## Description

desertcart.in - Buy Hello Beautiful book online at best prices in India on desertcart.in. Read Hello Beautiful book reviews & author details and more at desertcart.in. Free delivery on qualified orders.

Review: An impactful family saga - Ann Napolitano’s latest novel Hello Beautiful is a poignant and emotionally complex family drama that explores the relationships between four sisters and the ripple effects of trauma across generations. Set between the 1960s and the early 2000s, the novel follows the Padavano sisters – Julia, Sylvie, Cecelia, and Emeline – as they navigate love, loss, motherhood, and their own identities and desires against the backdrop of pivotal historical moments. The novel opens in 1960 with the brief life and tragic death of William Water’s older sister, Caroline. Her passing casts a permanent shadow over the Waters family that William grapple with over the ensuing decades. William grew up as an only child after his sister Caroline died when he was only a few days old. His parents, particularly his father, became distant after losing Caroline. William mostly kept to himself, finding solace in basketball which he was talented at from a young age. He graduated high school and earned a basketball scholarship to Northwestern. The protagonists of the novel are the oldest Padavano sisters, Julia and Sylvie. Julia is ambitious, determined, and driven. She plans her life down to every detail and sees the world in straightforward causal relationships, believing she can control outcomes through sheer willpower. Sylvie, in contrast, is a dreamer and a romantic, more interested in losing herself in fiction than in worldly ambition. The core relationships that structure the narrative are between the sisters themselves, with their mother Rose, and with the men that enter their lives. While the sisters share an unbreakable bond, their disparate personalities also lead to misunderstandings and tensions. Rose is a complicated maternal figure, by turns possessive and distant. The men – Charlie, William, and to a lesser extent Kent – disrupt and reshape the sisterly unit in different ways. After a brief courtship, Julia marries William, envisioning him as the upstanding husband who will give her the secure middle-class future she desires. Their marriage begins auspiciously, but cracks soon emerge. William struggles with severe depression and a sense of purposelessness, while Julia refuses to see the depths of his unhappiness, pushing him to meet her expectations. William eventually attempts suicide, setting off a chain of events that alters the contours of the sisters' relationships irrevocably. The novel alternates between the perspectives of Julia and Sylvie, exposing both women's hopes, flaws, and deepest wounds. Julia initially comes across as controlling and superficial, obsessed with appearances and social climbing. However, as the narrative gives insight into her psyche, a different picture emerges. Abandoned by her mother, Julia is profoundly insecure about her self-worth and seeks desperately to prove herself through external validation and rigidly constructed order. Her need for control masks a terror of chaos. Sylvie, who appears flighty and romantic to Julia, harbors her own darkness. She conducts a series of passionless affairs as she waits to meet her one true love. But she also grapples with difficult questions about the nature of fulfillment and belonging. Sylvie's interiority reveals a thoughtful, sensitive soul ill-suited to the strictures of conventional femininity. Napolitano excels at portraying the messy complexities of sisterhood - the steadfast loyalty as well as the jealousies, the compatibilities and profound differences. Julia and Sylvie's perspectives interweave to form a nuanced portrait of a lifelong relationship continually shaped by evolving personalities, emotional needs, and desires. At times, the novel's pace suffers due to drawn-out sections of excessive rumination. However, the characters are vividly rendered and emotionally compelling enough to maintain engagement. Napolitano perceptively sketches the social and cultural forces that circumscribe the sisters' choices, from Julia's thwarted professional ambitions to the stigma around Cecelia's out-of-wedlock pregnancy. The novel comes full circle with a moving denouement revolving around the sisters' reconciliation with their mother. Napolitano avoids easy resolutions, instead leaving wounds partially healed with scars still visible. The bittersweet ending fittingly reflects her vision of sisterhood as a complex tapestry woven of memories, trauma, sacrifice, understanding, and love. Ultimately, Hello Beautiful is a thoughtful exploration of the eternal dance between freedom and belonging. Julia and Sylvie, in very different ways, struggle to balance responsibility to family with individual identity and desire. Napolitano compassionately traces how their conflicted yearnings shape choices with echoing repercussions. Without downplaying the centrality of sisterly and maternal bonds, the novel also insightfully examines Julia and Sylvie's relationships with the key men in their lives. Their respective marriages reveal societal gendered expectations around marriage and femininity. William's descent into suicidal depression evocatively captures the struggle with oppressive male gender norms. On the whole, Hello Beautiful stands out for its poignant emotional resonance and textured character psychology. The 1970s suburban Chicago setting proves an immersive backdrop to delve into the complex interior lives of its heroines. Napolitano's quietly perceptive prose illuminates intergenerational trauma's subtle but indelible fingerprint on identity. An impactful family saga guaranteed to linger in the mind long after the final page.
Review: Lovely book :) - Quality of the book is fine. Long story short, it’s a lovely read with very simple language and set in a modern ‘Little Women’ scenario. If you want to switch between genres in your reading spree, this will act as a great buffer. She took aspects and people from across her walks of life and knit it into the story. As the blurb already says, it was inspired by Little Women by Louisa May Alcott. You can see similarities, but Ann Napolitano doesn’t try to hide it; it's meant to stand out.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #123,841 in Books ( See Top 100 in Books ) #2,584 in Short Stories (Books) #4,945 in Contemporary Fiction (Books) |
| Country of Origin  | India |
| Customer Reviews | 4.4 4.4 out of 5 stars (108,774) |
| Dimensions  | 13 x 2.5 x 19.7 cm |
| Generic Name  | Book |
| ISBN-10  | 0241998492 |
| ISBN-13  | 978-0241998496 |
| Importer  | Penguin Random House India Pvt Ltd |
| Item Weight  | 268 g |
| Language  | English |
| Net Quantity  | 750.00 Grams |
| Packer  | Penguin Random House India Pvt Ltd |
| Print length  | 400 pages |
| Publication date  | 25 July 2024 |
| Publisher  | Penguin |

## Images

![Hello Beautiful - Image 1](https://m.media-amazon.com/images/I/81PcWqSOl-L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ An impactful family saga
*by M***L on 4 September 2023*

Ann Napolitano’s latest novel Hello Beautiful is a poignant and emotionally complex family drama that explores the relationships between four sisters and the ripple effects of trauma across generations. Set between the 1960s and the early 2000s, the novel follows the Padavano sisters – Julia, Sylvie, Cecelia, and Emeline – as they navigate love, loss, motherhood, and their own identities and desires against the backdrop of pivotal historical moments. The novel opens in 1960 with the brief life and tragic death of William Water’s older sister, Caroline. Her passing casts a permanent shadow over the Waters family that William grapple with over the ensuing decades. William grew up as an only child after his sister Caroline died when he was only a few days old. His parents, particularly his father, became distant after losing Caroline. William mostly kept to himself, finding solace in basketball which he was talented at from a young age. He graduated high school and earned a basketball scholarship to Northwestern. The protagonists of the novel are the oldest Padavano sisters, Julia and Sylvie. Julia is ambitious, determined, and driven. She plans her life down to every detail and sees the world in straightforward causal relationships, believing she can control outcomes through sheer willpower. Sylvie, in contrast, is a dreamer and a romantic, more interested in losing herself in fiction than in worldly ambition. The core relationships that structure the narrative are between the sisters themselves, with their mother Rose, and with the men that enter their lives. While the sisters share an unbreakable bond, their disparate personalities also lead to misunderstandings and tensions. Rose is a complicated maternal figure, by turns possessive and distant. The men – Charlie, William, and to a lesser extent Kent – disrupt and reshape the sisterly unit in different ways. After a brief courtship, Julia marries William, envisioning him as the upstanding husband who will give her the secure middle-class future she desires. Their marriage begins auspiciously, but cracks soon emerge. William struggles with severe depression and a sense of purposelessness, while Julia refuses to see the depths of his unhappiness, pushing him to meet her expectations. William eventually attempts suicide, setting off a chain of events that alters the contours of the sisters' relationships irrevocably. The novel alternates between the perspectives of Julia and Sylvie, exposing both women's hopes, flaws, and deepest wounds. Julia initially comes across as controlling and superficial, obsessed with appearances and social climbing. However, as the narrative gives insight into her psyche, a different picture emerges. Abandoned by her mother, Julia is profoundly insecure about her self-worth and seeks desperately to prove herself through external validation and rigidly constructed order. Her need for control masks a terror of chaos. Sylvie, who appears flighty and romantic to Julia, harbors her own darkness. She conducts a series of passionless affairs as she waits to meet her one true love. But she also grapples with difficult questions about the nature of fulfillment and belonging. Sylvie's interiority reveals a thoughtful, sensitive soul ill-suited to the strictures of conventional femininity. Napolitano excels at portraying the messy complexities of sisterhood - the steadfast loyalty as well as the jealousies, the compatibilities and profound differences. Julia and Sylvie's perspectives interweave to form a nuanced portrait of a lifelong relationship continually shaped by evolving personalities, emotional needs, and desires. At times, the novel's pace suffers due to drawn-out sections of excessive rumination. However, the characters are vividly rendered and emotionally compelling enough to maintain engagement. Napolitano perceptively sketches the social and cultural forces that circumscribe the sisters' choices, from Julia's thwarted professional ambitions to the stigma around Cecelia's out-of-wedlock pregnancy. The novel comes full circle with a moving denouement revolving around the sisters' reconciliation with their mother. Napolitano avoids easy resolutions, instead leaving wounds partially healed with scars still visible. The bittersweet ending fittingly reflects her vision of sisterhood as a complex tapestry woven of memories, trauma, sacrifice, understanding, and love. Ultimately, Hello Beautiful is a thoughtful exploration of the eternal dance between freedom and belonging. Julia and Sylvie, in very different ways, struggle to balance responsibility to family with individual identity and desire. Napolitano compassionately traces how their conflicted yearnings shape choices with echoing repercussions. Without downplaying the centrality of sisterly and maternal bonds, the novel also insightfully examines Julia and Sylvie's relationships with the key men in their lives. Their respective marriages reveal societal gendered expectations around marriage and femininity. William's descent into suicidal depression evocatively captures the struggle with oppressive male gender norms. On the whole, Hello Beautiful stands out for its poignant emotional resonance and textured character psychology. The 1970s suburban Chicago setting proves an immersive backdrop to delve into the complex interior lives of its heroines. Napolitano's quietly perceptive prose illuminates intergenerational trauma's subtle but indelible fingerprint on identity. An impactful family saga guaranteed to linger in the mind long after the final page.

### ⭐⭐⭐⭐ Lovely book :)
*by A***K on 28 May 2024*

Quality of the book is fine. Long story short, it’s a lovely read with very simple language and set in a modern ‘Little Women’ scenario. If you want to switch between genres in your reading spree, this will act as a great buffer. She took aspects and people from across her walks of life and knit it into the story. As the blurb already says, it was inspired by Little Women by Louisa May Alcott. You can see similarities, but Ann Napolitano doesn’t try to hide it; it's meant to stand out.

### ⭐⭐⭐⭐⭐ I am a new reader ! And i recommend this to you too
*by M***E on 3 November 2025*

Recieved in good condition . About the book it's a family saga a story of family friendship and love . I received this today, Read only 9 pages and i am loving it so i would recommend this to any new readers who love family saga. ❤️

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*Last updated: 2026-02-20*