---
product_id: 82206354
title: "Audio-Technica AT4040 Cardioid Condenser Microphone"
brand: "audio-technica"
price: "$18837"
currency: MXN
in_stock: true
reviews_count: 10
category: "Audio Technica"
url: https://www.desertcart.mx/products/82206354-audio-technica-at4040-cardioid-condenser-microphone
store_origin: MX
region: Mexico
---

# Transformerless circuitry for ultra-clean transient response Exceptionally low noise with 82 dB SNR Large diaphragm for smooth, natural sound Audio-Technica AT4040 Cardioid Condenser Microphone

**Brand:** audio-technica
**Price:** $18837
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your sound game—record like the pros, miss the noise, not the moment.

## Quick Answers

- **What is this?** Audio-Technica AT4040 Cardioid Condenser Microphone by audio-technica
- **How much does it cost?** $18837 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.mx](https://www.desertcart.mx/products/82206354-audio-technica-at4040-cardioid-condenser-microphone)

## Best For

- audio-technica enthusiasts

## Why This Product

- Trusted audio-technica brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Quiet Confidence:** Exceptional 82 dB signal-to-noise ratio means your recordings stay clean and free from unwanted noise.
- • **Studio-Grade Clarity:** Capture every nuance with a tensioned large diaphragm designed for natural, smooth sonic character.
- • **Versatile Performance:** Perfect for vocals, instruments, and complex sound sources—trusted by pros for both studio and live applications.
- • **Built to Last & Perform:** Precision-machined nickel-plated brass baffle and state-of-the-art electronics guarantee consistent, reliable performance session after session.
- • **Distortion-Free Dynamics:** Transformerless design virtually eliminates low-frequency distortion, ensuring crystal-clear recordings even at high SPLs.

## Overview

The Audio-Technica AT4040 is a professional cardioid condenser microphone featuring a large diaphragm for smooth, natural sound reproduction. Its transformerless circuitry minimizes distortion and enhances transient response, while an 82 dB signal-to-noise ratio ensures ultra-low noise recordings. Built with precision-machined nickel-plated brass components and advanced surface-mount electronics, the AT4040 delivers consistent, versatile performance ideal for studio and live environments.

## Description

The At4040 Side-Address Condenser Microphone Features An Advanced Large Diaphragm Tensioned Specifically To Provide Smooth, Natural Sonic Characteristics. A Marriage Of Technical Precision And Artistic Inspiration, The At4040 Offers Exceptionally Low Noise, Wide Dynamic Range And High-Spl Capability For Greatest Versatility. This Ultra-Consistent Microphone May Be Used With Confidence In A Wide Variety Of Studio And Live Miking Applications, Even Under The Stringent Demands Of Digital Recording Systems. The At4040'S Low-Noise Circuitry Is Symmetrical And Transformer Less, Resulting In Exceptional Transient Response And Clean Output Signals For Transparent Reproduction Of Even The Most Troublesome Of Instruments And Sound Effects.

Review: Strong, clean, and quiet, even with loud and complex sound from a large grand piano - As a hobby, I record my solo piano arrangements and improvisations of songs from the American jazz and swing era. I'm now recording my 15th album, this time a two-CD set of songs by Harry Warren. Earlier albums focused on songs by Irving Berlin, Ellington, Burton Lane, Jimmy McHugh, James Van Heusen, Harold Arlen, and so on. For years, I used a pair of Audio-Technica AT2035 Cardioid Condenser Microphones, feeding an Avid box and Pro Tools. The AT2035s were pretty good, though prone to distortion in loud passages. I must confess that I did not take very good care of them, and over time the diaphragms were too dusty to clean without damaging them, which I believe affected the sound. Before starting my current album, I knew it was time to upgrade mics. As you know, condenser mics can be really expensive, and figuring out which ones are worth it is a subjective affair. So, I decided that going with another pair of Audio-Technicas would be a safe and affordable strategy - as long as I moved up to a better model of AT. After reading many reviews, I settled on the Audio-Technica AT4040. Using my new pair of AT4040s, I have now recorded all 17 of the songs from CD #1 of my next album, plus finished the editing and mastering. I can now say that I am very pleased with the much-improved sound I get from the AT4040s. Note that I use a "close-mic" configuration, where the mics are under the piano. (See my photo.) I own and play a 7-foot Yamaha C6 has a very bright sound with a far more complex overtone structure than a Steinway; it's more like a Boesendorfer. This makes the C6 a great instrument for jazz and other pop music, but a challenge to record from above the strings or at a distance (as in a hall). The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it's louder than distance mic'ing. Likewise, the AT4040s are not overwhelmed by the extremely complex high frequency structures that result from playing jazz harmonies on a bright piano like the C6. For example, unlike most other jazz pianists, I have a strong and nimble left hand (due to classical training), which I apply to much walking bass and stride playing. My old AT2035s were easily overwhelmed by the booming bass of my 7-foot C6, and they didn't accurately capture this aspect of my playing. My new AT4040s, on the other hand (pun intended), are down-right ravenous with bass frequencies in a close-mic situation, like mine. I'm guessing this is due to the AT4040's large diaphram and transformerless circuits. In closing, I'd say that the AT4040s are not overwhelmed in any frequency range that a complex and bright grand piano like mine can produce. One positive outcome, is that I can record with a higher gain, which amounts to a stronger recording - free of distortion despite being louder - which sounds better on a wide range of playback devices, from acoustic stereos to ear buds on a smartphone. In addition, the AT4040 comes with an excellent shock mount and a cover that fits even when the mic is in the shock mount. Finally, I record and edit with headphones on, which can reveal noise; I find the AT4040 to be very strong but quiet. My only regret is that I didn't upgrade to the AT4040s earlier. Cheers!
Review: Very good all around Studio Mic. - If you are looking for a really good all-around Mic, this is it. This is as stated: no fancy pickup pattern selection. It has good rejection of sounds outside of the pickup pattern which is important to dry vocals in smaller rooms. However, it is very sensitive and picks up everything within the pattern. The attenuation switch comes in handy when recording loud sounds and it also has a bass roll off if you need it. Vocals are very clear and I don’t hear any coloring with this microphone. I hear details in my vocals I didn’t hear in my other microphones. Yes, the price is a little high for the beginner but take it from me, it is worth it. I tried the cheap mic route and I was disappointed as I had to ‘fix it in the mix’ after the fact. I searched on YouTube and found a shootout between this Microphone and others. Look it up, I think you will be as impressed as I was. This microphone sound is a close second to a microphone 10x the cost. It is one of the few economically priced consumer microphones that can be found in professional studios. One thing that really sets this microphone different is the minimal proximity affect. I can get as close to it as I want and my voice does not get muffled like other mics I have used. All microphones have some proximity affect. The better the mic, the less overbearing it is.

## Features

- Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics
- Externally polarized (DC bias) true condenser design, Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility
- Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
- Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
- State-of-the-art surface-mount electronics ensure compliance with A-T"s stringent consistency and reliability standards
- Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics ^Externally polarized (DC bias) true condenser design, Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility ^Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients ^Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity ^State-of-the-art surface-mount electronics ensure compliance with A-T"s stringent consistency and reliability standards

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0002D0BQ8 |
| Best Sellers Rank | #24,884 in Musical Instruments ( See Top 100 in Musical Instruments ) #253 in Multipurpose Condenser Microphones |
| Color Name | Black |
| Color Screen | No |
| Customer Reviews | 4.6 4.6 out of 5 stars (756) |
| Date First Available | July 16, 2004 |
| Frequency Response | 20000 Hz |
| Global Trade Identification Number | 00042005127955, 04961310137793 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1 pounds |
| Item dimensions L x W x H | 11 x 9.8 x 4.5 inches |
| Item model number | AT4040 |
| Manufacturer | Audio-Technica U.S |
| Material | Brass,Nickel |
| Material Type | Brass,Nickel |
| Microphone Form Factor | Microphone Only |
| Number of Channels | 1 |
| Power Source | AC |
| Product Dimensions | 11 x 9.8 x 4.5 inches |
| Signal-to-Noise Ratio | 82 dB |
| UPC | 420051279550 798304198645 613815583790 013088339702 989898819669 989898703630 042005127955 |

## Product Details

- **Brand:** Audio-Technica
- **Color:** Black
- **Compatible Devices:** Audio Interface
- **Connectivity Technology:** Wired
- **Connector Type:** XLR
- **Included Components:** AT8449 shock mount for 5/8-27 threaded stands, microphone dust cover, protective carrying case
- **Item Weight:** 16 ounces
- **Model Name:** AT4040
- **Polar Pattern:** Unidirectional
- **Recommended Uses For Product:** Singing, Streaming

## Images

![Audio-Technica AT4040 Cardioid Condenser Microphone - Image 1](https://m.media-amazon.com/images/I/61DaZX654TL.jpg)
![Audio-Technica AT4040 Cardioid Condenser Microphone - Image 2](https://m.media-amazon.com/images/I/717wsZYfOhL.jpg)
![Audio-Technica AT4040 Cardioid Condenser Microphone - Image 3](https://m.media-amazon.com/images/I/71TEKBXE3rL.jpg)
![Audio-Technica AT4040 Cardioid Condenser Microphone - Image 4](https://m.media-amazon.com/images/I/71ZEu5t4RWL.jpg)
![Audio-Technica AT4040 Cardioid Condenser Microphone - Image 5](https://m.media-amazon.com/images/I/81gTF+XV-jL.jpg)

## Available Options

This product comes in different **Style** options.

## Questions & Answers

**Q: What's in The Box?**
A: Hi, Contains; Audio-Technica AT4040 - Cardioid Large Diaphragm Studio Condenser Capacitor Microphone, AT8449 Shock Mount, Microphone Dust Cover, Protective Carrying Case, Limited 5-Year Warranty

**Q: I heared it's very sensitive mic and my play room is not 100% silent, so is it captures all the natural sounds in the play room?**
A: Yes it is a very sensitive mic. It is so sensitive that it will capture the sounds of the cars and motorcycles that drive by my house when I record, or when my air conditioning unit is on, or the hum of a speaker, or the flush of a toilet from across the house even through closed doors. However you do not have to have a pro soundproof room to record. Just make sure that as much ambient noise as possible is reduced and whatever extra noise is left over in the recording will not be noticeable if other tracks are introduced in the song. It also depends on what purpose you're using the mic for. Straight voice recording, like podcasting? vocals with midi tracks? If it's podcasting than it's not really a big deal if theres ambient noise and might sound eerie if it is ONLY your voice, while a little ambient noise is able to be covered up with other tracks, if you're using it for music production. In either case, this mic is probably the highest quality for the lowest price you'll ever find. And don't be fooled at that either, this would be a perfectly acceptable mic to have in a professional recording studio.

**Q: How good is this mic compared to the shure sm7b for screaming/heavy vocals?**
A: I would personally prefer the Sm7b for screaming vocals because it has a better low-mid frequency response for a fuller sound. The 4040 has a lot more articulate high frequency response which I find great for catching every little detail of a singer such as rasp but it doesn't catch the power of an aggressive vocal like the 7b can. Both great mics but I would go with the 7b for aggressive vocals and screaming.

**Q: Can anyone share what interface they use with this mic? I see someone recommended the Focusrite Scarlett 2i2. Any others you would recommend?**
A: I've been using the m-audio fast track pro. Basically , this a good mic used primarily for overhead recording -- drums, pianos. But I've used it on vocals and guitar and it's good but only as good as ur pre amp. If ur interface doesn't have good preamps I would recommend buying an external one if ur serious about getting high fidelity recordings. Hope that helps

## Customer Reviews

### ⭐⭐⭐⭐⭐ Strong, clean, and quiet, even with loud and complex sound from a large grand piano
*by P***M on January 29, 2019*

As a hobby, I record my solo piano arrangements and improvisations of songs from the American jazz and swing era. I'm now recording my 15th album, this time a two-CD set of songs by Harry Warren. Earlier albums focused on songs by Irving Berlin, Ellington, Burton Lane, Jimmy McHugh, James Van Heusen, Harold Arlen, and so on. For years, I used a pair of Audio-Technica AT2035 Cardioid Condenser Microphones, feeding an Avid box and Pro Tools. The AT2035s were pretty good, though prone to distortion in loud passages. I must confess that I did not take very good care of them, and over time the diaphragms were too dusty to clean without damaging them, which I believe affected the sound. Before starting my current album, I knew it was time to upgrade mics. As you know, condenser mics can be really expensive, and figuring out which ones are worth it is a subjective affair. So, I decided that going with another pair of Audio-Technicas would be a safe and affordable strategy - as long as I moved up to a better model of AT. After reading many reviews, I settled on the Audio-Technica AT4040. Using my new pair of AT4040s, I have now recorded all 17 of the songs from CD #1 of my next album, plus finished the editing and mastering. I can now say that I am very pleased with the much-improved sound I get from the AT4040s. Note that I use a "close-mic" configuration, where the mics are under the piano. (See my photo.) I own and play a 7-foot Yamaha C6 has a very bright sound with a far more complex overtone structure than a Steinway; it's more like a Boesendorfer. This makes the C6 a great instrument for jazz and other pop music, but a challenge to record from above the strings or at a distance (as in a hall). The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it's louder than distance mic'ing. Likewise, the AT4040s are not overwhelmed by the extremely complex high frequency structures that result from playing jazz harmonies on a bright piano like the C6. For example, unlike most other jazz pianists, I have a strong and nimble left hand (due to classical training), which I apply to much walking bass and stride playing. My old AT2035s were easily overwhelmed by the booming bass of my 7-foot C6, and they didn't accurately capture this aspect of my playing. My new AT4040s, on the other hand (pun intended), are down-right ravenous with bass frequencies in a close-mic situation, like mine. I'm guessing this is due to the AT4040's large diaphram and transformerless circuits. In closing, I'd say that the AT4040s are not overwhelmed in any frequency range that a complex and bright grand piano like mine can produce. One positive outcome, is that I can record with a higher gain, which amounts to a stronger recording - free of distortion despite being louder - which sounds better on a wide range of playback devices, from acoustic stereos to ear buds on a smartphone. In addition, the AT4040 comes with an excellent shock mount and a cover that fits even when the mic is in the shock mount. Finally, I record and edit with headphones on, which can reveal noise; I find the AT4040 to be very strong but quiet. My only regret is that I didn't upgrade to the AT4040s earlier. Cheers!

### ⭐⭐⭐⭐⭐ Very good all around Studio Mic.
*by A***R on March 28, 2014*

If you are looking for a really good all-around Mic, this is it. This is as stated: no fancy pickup pattern selection. It has good rejection of sounds outside of the pickup pattern which is important to dry vocals in smaller rooms. However, it is very sensitive and picks up everything within the pattern. The attenuation switch comes in handy when recording loud sounds and it also has a bass roll off if you need it. Vocals are very clear and I don’t hear any coloring with this microphone. I hear details in my vocals I didn’t hear in my other microphones. Yes, the price is a little high for the beginner but take it from me, it is worth it. I tried the cheap mic route and I was disappointed as I had to ‘fix it in the mix’ after the fact. I searched on YouTube and found a shootout between this Microphone and others. Look it up, I think you will be as impressed as I was. This microphone sound is a close second to a microphone 10x the cost. It is one of the few economically priced consumer microphones that can be found in professional studios. One thing that really sets this microphone different is the minimal proximity affect. I can get as close to it as I want and my voice does not get muffled like other mics I have used. All microphones have some proximity affect. The better the mic, the less overbearing it is.

### ⭐⭐⭐⭐⭐ Very Good Microphone
*by G***G on February 14, 2025*

I picked this up when it was on sale. I'm really happy with the purchase and like it as a vocal microphone. It captures the voice is a very likeably way IMO. I've used quite a few budget mics over the years and I think the AT4040 is really hard to beat in this price range. The one negative is I do find it has a good amount of sibilance. But in this price range, you are not going to get perfection. But I think the build quality and, at least in my case, the very pleasing way it caputres the voice make it a great buy overall. I really like the Audio Technica shockmounts as well. So as far as $300 mics go, I would put this right up at the top of the list.

## Frequently Bought Together

- Audio-Technica AT4040 Cardioid Condenser Microphone
- Amazon Basics XLR Male to Female Microphone Cable for Speaker or PA System, All Copper Conductors, 6MM PVC Jacket, 6 Foot, Black
- Focusrite Scarlett Solo 3rd Gen USB Audio Interface for Guitarists, Vocalists, Podcasters or Producers to record and playback studio quality sound

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*Product available on Desertcart Mexico*
*Store origin: MX*
*Last updated: 2026-02-02*